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    EVENTOS, CONCERTOS & AUDIÇÕES MUSICAIS

    No Brasil, os cinqüenta anos do surgimento da Música Eletroacústica, assim como o septuagésimo aniversário de nascimento do compositor alemão Karlheinz Stockhausen (um dos pioneiros da Música Eletroacústica), foram comemorados na Bienal de Música Eletroacústica de São Paulo - BIMESP/1998, um dos maiores eventos, realizado em solo brasileiro, dedicado à divulgação da Música Eletroacústica (Coordenação: Flo Menezes).

     

  • OPENINGS: COLLECTIVE JUKEBOX 3.11 + 4.0 GENEVA
    • Autonomous and evolutive system, co-operative and international project, Collective JukeBox currently moderated by Jerome Joy is a kind of permanent musical and sound laboratory proposed to the public.
    MAMCO / Festival Archipel / Geneva 10, rue des vieux grenadiers, 1205 Geneve
    open hours: 12am to 6 pm 441 authors / 1126 audio pieces. The Collective Jukebox is presented on a cd-player juke-box machine into a specific room at the third floor: "the Ghislain Mollet-Vieville's Apartment". The audience can listen freely to all the audio works sent by the participants.
    Le projet Collective JukeBox est présenté sur la machine juke-box à lecture de cds à Genève et dans un espace spécifique au troisième étage: "l'Appartement de Ghislain Mollet-Viéville". Le public peut écouter librement l'ensemble des contributions envoyées par les auteurs participants].
    c o l l e c t i v e j u k e b o x 4 . 0 ___________________________ MAMCO Geneva 10, rue des vieux grenadiers, 1205 Geneve 16 april ->1 sept 2002 open hours: 12am to 6 pm 558 authors / 1550 audio pieces The Collective Jukebox will be presented after the 15th of April in Geneva, on a cd-player juke-box machine into the new cafeteria at the first floor, just close to the entrance. The audience will be able to listen freely to all the audio works into a convivial room, with new hours of opening. [le projet Collective JukeBox sera présenté après le 15 avril à Genève, sur la machine juke-box à lecture de cds à Genève et dans la toute nouvelle cafeteria au rez-de-chaussée, juste à côté de l'entrée du Musée. Le public pourra écouter librement l'ensemble des contributions envoyées par les auteurs participants dan cet espace convivial, avec de nouvelles heures d'ouverture]. For all informations about the openings of these two successive presentations in Geneva, just go to the website http://collectivejukebox.org/ I'll be tomorrow saturday in Geneva, so I hope to meet you ! [je serai demain à Genève, nous pourrions nous voir! ] a provocative sound project for emergent digital audio practices :
    c o l l e c t i v e j u k e b o x
    ::::::::::::::::::::::::::::::::::: i n f o : http://jukebox.thing.net/
    ::::::::::::::::::::::::::::::::::: content: audio list http://jukebox.thing.net/
    ::::::::::::::::::::::::::::::::::: update: new entries http://jukebox.thing.net/
  • XIV BIENAL DE MÚSICA BRASILEIRA CONTEMPORÂNEA - Sala Cecília Meireles - Teatro João Caetano - Salão Leopoldo Miguez - 22 a 31 de Outubro de 2001 (Rio de Janeiro - Brasil)
  • NOVO NÚCLEO DE MÚSICA BRASILEIRA - Documentação e Referência (Fundação Padre Anchieta/ VITAE)
  • IV CIMESP 2001- CONCURSO INTERNACIONAL DE MÚSICA ELETROACÚSTICA DE SÃO PAULO (International Electroacoustic Music Contest of São Paulo, Brazil)
    • 204 compositions by 160 composers of 37 nationalities from 30 countries took part on the IV CIMESP. Here are the 10 Finalists for the concert on 27 October 2001 in São Paulo [in alphabetical order]:
    ANDERSON, ELIZABETH (1960) Neon (2001) Tape Solo 10'13"
    BARRETT, NATASHA Industrial Revelations (2001) Tape Solo 11'46"
    BARTETZKI, ANDRE (1962) Rondeaux Trouvés (2000) Tape Solo (8 channels) 14'50"
    CARDI, MAURO (1955) Manao Tupapau (1996) Flute, Percussion and Tape 9'01"
    GOBEIL, GILLES (1954) / PARRA, ARTURO (1958) Soledad (1998-2000) Guitar and Tape 12'14"
    KOKORAS, PANAYIOTIS (1974) Response (2001) Tape Solo 9'13"
    LOTIS, THEODORE (1967) Shadows (2000) Tape Solo 12'05"
    OLOFSSON, KENT (1962) Alinea I-III (1997-2000) String Quartett, Tape and Live-Electronics 22'31"
    VALENTE, AUGUSTO (1959) Voix Oubliées - variazioni per voce e suoni elettronici (su frammenti del 'Cantico dei cantici' (1996-2000) Voice and Tape (4 channels) 22'42"
    YOUNG, JOHN (1962) Liquid Sky (1998) Tape Solo 16'03"
  • IV BIMESP - BIENAL INTERNACIONAL DE MÚSICA ELETROACÚSTICA DE SÃO PAULO - São Paulo, Brasil, 2002
    • Besides the above 10 Finalist Pieces, other 25 acousmatic compositions were selected by Flo Menezes to be performed at the IV BIMESP 2002 in São Paulo (International Biennial for Electroacoustic Music of São Paulo), to take place probably in October 2002 [in alphabetical order]:
    ALARCÓN FOLGADO, DAVID (1968) Ausencia n.12 (1999) Tape Solo 16'39"
    ANTUNES, JORGE (1942) Meninos de Rua Também Cantam (2001) Tape Solo 9'17"
    AVEYARD, JON (1977) D'p (Depth perception) (2001) Tape Solo 11'26"
    BENTLEY, JAMES (1973) Short Wave Fantasy (1998-1999) Tape Solo 16'43"
    BEREZAN, DAVID (1967) Cold Light (2001) Tape Solo 11'54"
    BIASIOL, FRANCESCO (1978) Soundelbrot (2001) Tape Solo (8 channels) 9'58"
    BIASUTTI, MICHELE (1963) Deep Sea (2000) Tape Solo 9'47"
    BRÜMMER, LUDGER (1958) 1. Inferno der Stille (2000) Tape Solo 23'33"
    CAMILLERI, LELIO (1957) Parallel (2000) Tape Solo 14'28"
    DJAMBAZOV, VLADIMIR (1954) The Secret Life of a Violin (2000) Tape Solo 9'58"
    GEMINIANI, PAOLO (1960) Variazioni sul Metallo (2001) Tape Solo 13'24"
    GIBSON, JOHN (1960) Day Trip (2000) Tape Solo 8'47"
    GOTFRIT, MARTIN (1952) All the Knowing (2000) Tape Solo 9'53"
    HALL, SIMON (1970) Millennial Dreams of Spring (2000) Tape Solo 9'48"
    HARGOUS, JEAN LOUIS (1951) Pourquoi n'y a-t-il pas rien? (2000-2001) Tape Solo 14'11"
    JEAN, MONIQUE (1960) Low Memory #1 (2000) Tape Solo (8 channels) 9'44"
    KARATHANASIS, KONSTANTINOS (1975) Allegoriae Sonantes (2001) Tape Solo 8'10"
    MARRERO RIVERO, JUAN MANUEL (1970) Caprices Épisodiques (2001) Tape Solo 8'52"
    MARTUSCIELLO, ELIO (1959) HZ - Limits of the Technology (2000) Tape Solo 15'08"
    MENDES, JOÃO (1958) Topologia dos Ruídos (2000) Tape Solo 9'13"
    MINSBURG, RAÚL (1965) Entre Sueños (2001) Tape Solo 9'23"
    NAYLOR, STEVEN (1949) Bitter Orchids (2000) Tape Solo 11'24"
    OLOFSSON, KENT (1962) Les Voix Transparentes (1997-1998) Tape Solo 22'28"
    SILVA, PABLO (1964) Nocturno v. 3.0 (1999) Tape Solo 6'55"
    YOUNG, JOHN (1962) Pythagoras' Curtain (2001) Tape Solo 12'36
  • 5th EUROPEAN MUSIC ANALYSIS CONFERENCE - Bristol 2002
    • Informações:
    http://www.bris.ac.uk/Depts/Music
    http://www.sma.ac.uk
    Proposals for consideration by the programme committee should be sent to
    Dr Jonathan Cross (Conference Director), Department of Music, University of Bristol, email: J.G.E.Cross@bris.ac.uk
  • ELEVENTH WEST COAST CONFERENCE OF MUSIC THEORY AND ANALYSIS (April 2002, Canada)
    • Announcing the Eleventh West Coast Conference of Music Theory and Analysis on Friday, Saturday, and Sunday, April 26-28, 2002 at the MacLaurin Building, The University of Victoria Victoria, B.C., Canada
    Keynote Speaker: William Caplin, McGill University
    *** Call for Papers
    The WCCMTA program committee invites proposals for posters, short talks (15 minutes), or long talks (30 minutes). Areas of special interest for this conference will be 1) musical form, and 2) analysis of 19th-century music; topics concerning any aspect of music theory, however, are welcome. Proposals should be between one and two pages long. Authors should indicate whether proposals are for a poster, 15-minute, or 30-minute presentation. Since proposals are to be reviewed blind, please list your presentation title, name, and contact information separately; do not reveal your identity within the proposal itself.
    A prize for the Best Student Presentation at that conference-a set of back issues of MUSIC THEORY SPECTRUM--will be offered at the conclusion of the conference; please encourage all interested students to submit proposals. Participants from other regions of the world are very welcome, but all presenters are expected to join WCCMTA.
    Please MAIL five (5) copies of the proposal (postmark deadline January 15, 2002) to:
    Dr. Harald Krebs School of Music University of Victoria Box 1700 Victoria, B.C. Canada V8W 2Y2
    or E-MAIL the proposal to hkrebs@finearts,uvic.ca by January 31, 2002
    or FAX the proposal (attn. Harald Krebs) to (250) 721-6597 by January 31, 2002.
  • MEDITERRANEAN STUDIES ASSOCIATION'S 5TH ANNUAL INTERNATIONAL CONGRESS, "IBERIA AND THE MEDITERRANEAN" (May 29- June 1/2002, Universidad de Granada)
    • CALL FOR PAPERS
    Iberia and the Mediterranean
    Universidad de Granada, Spain.
    The Mediterranean Studies Association's 5th annual International Congress, "Iberia and the Mediterranean," will be held on May 29- June 1, 2002 at the Universidad de Granada in Granada, Spain. Papers and sessions on all subjects relating to the Mediterranean region and Mediterranean cultures around the world from all periods are encouraged. Following a day of optional excursions, including the Alhambra, the congress will open with a plenary session and reception on the evening of May 29. Over the course of the next days over 150 scholarly papers will be delivered before an international audience of about 250 scholars, academics, and experts in a wide range of fields. Held in the center of the old city at the Centro de Lenguas Modernas, the official languages of the congress are Spanish and English. In addition, sessions in any Mediterranean language are welcome. A number of special events are being planned for congress participants that will highlight the unique cultural aspects of Granada. The congress is sponsored by the Mediterranean Studies Association, the Universidad de Granada, the University of Massachusetts Dartmouth, Arizona State University, and the University of Kansas. Selected revised papers will be considered for publication in the Association's journal, Mediterranean Studies.
    The Mediterranean Studies Association is an interdisciplinary organization which promotes the scholarly study of Mediterranean cultures in all aspects and disciplines. It is particularly concerned with the ideas and ideals of western Mediterranean cultures from Late Antiquity to the Enlightenment and their influence beyond these geographical and temporal boundaries.
    Proposals for papers and sessions are now being solicited. Papers and proposals for sessions are encouraged which focus on the conference theme of the relationship of Iberia to the Mediterranean, but any paper or session proposal with a Mediterranean theme, from any period and any discipline, will be considered. Proposals for roundtable discussions
    of a topical work or theme are also welcome. The typical panel will include three papers, each lasting twenty minutes, a chair, and (optionally) a commentator. For examples of paper and session topics, and the range of subjects, see the programs from Lisbon (1998), Coimbra (1999), Salvador (2000), and Aix-en-Provence (2001) at the MSA web site: www.mediterraneanstudies.org.
    Proposals should include a 200-word abstract for each paper and a one-page curriculum vitae for each participant, including chairs and commentators. Each participant's name, e-mail and regular address, and phone number should also be listed. Proposals are now being solicited for the first round of consideration. The first deadline for submissions is December 1, 2001, though proposals will be accepted after that date.
    Please send proposals to: Mediterranean Studies Association, P.O. Box 212, East Sandwich, MA 02537, USA. For information on the congress or the Association contact MSA@umassd.edu
  • 15th CONFERENCE OF THE INTERNATIONAL SOCIETY FOR THE INVESTIGATION AND PROMOTION OF WIND MUSIC (IGEB) - (July/2002, South Tyrol, Italy)
    • CALL FOR PAPERS:
    The 15th conference of the International Society for the Investigation and Promotion of Wind Music (IGEB) will take place in Lana, South Tyrol, Italy, from July 4th to 9th, 2002.
    Suggested topics for the conference include:
    Historical and contemporary cross connections and influences in international wind music development.
    The influences of traditional music on contemporary band compositions (from the arrangement of folk songs to including traditional music from non-European cultural areas)
    Composing for the wind band: a new and rapid possibility for contemporary composers to develop an international reputation? (For ex., De Meij [Lord of the Rings] or Ito [Gloriosa], whose compositions were heard on all continents in a very short time. Can this be compared to the reception of the band works of Hindemith and Schoenberg?)
    Directors, musicians, educators, musicologists and all people interested in wind band music are invited to submit papers on the above as well as general research topics and reports on theses and dissertations.
    Deadline: May 1, 2002
    Contact: IGEB Business Office, Doris Schweinzer, Leonhardstrasse15, A-8010 Graz, Austria
    E-mail: doris.schweinzer@kug.ac.at
    URL: www.kug.ac.at/igeb
  • THE INTELLECTUAL FRONTIERS OF MUSIC (June/2002, Scotland UK)
    • University of Aberdeen, Scotland - Music Research Group
    Conference Announcement and Call for Papers
    THE INTELLECTUAL FRONTIERS OF MUSIC Aberdeen University 23-24 June 2002
    The place of music within the wider spectrum of disciplines is a subject of great interest. Does music engage the mind as well as the emotions, and if it does, by what means and of what experience does it increase our understanding? With electro-acoustic music and sonic art firmly established as legitimate compositional fields, this subject takes on an even more interesting turn as digital technology continues to permeate all areas of music.
    Of late a number of books have been published that explore the relation of philosophy and theology to music, with these questions in mind. The Music Research Group of the University of Aberdeen (http://www.abdn.ac.uk/mrg/) has a special interest in this area of inquiry and proposes to host a conference on the intellectual frontiers of music. Three sessions are planned in which members of the MRG will present research material.
    I The Philosophical Frontiers of Music II The Theological Frontiers of Music III The Technological Frontiers of Music
    CALL FOR PAPERS
    Submissions are invited of papers relevant to the theme of the conference. These should be of a reading time of no more than 30 minutes and will be chosen after a process of refereeing. Abstracts of one A4 page should be sent to Professor Gordon Graham at the Dept of Philosophy, University of Aberdeen, ABERDEEN AB24 3UB, Scotland, UK. Alternatively they can be submitted by e-mail to g.graham@abdn.ac.uk. Postgraduate students are specially encouraged to submit.
    THE CLOSING DATE FOR SUBMISSIONS IS Friday 30th November 2001. Decisions will be advised by Friday 18th January
    ------------ Dr. David J. Smith University Music Powis Gate College Bounds Old Aberdeen AB24 3UG Scotland UK
    Telephone: +44 (0)1224 273790
    E-mail: d.j.smith@abdn.ac.uk
    URL: www.abdn.ac.uk/mrg/
  • CALL FOR ELECTROACOUSTIC MUSIC (off line)
  • VIII FESTIVAL INTERNACIONAL DE MÚSICA ELECTROACÚSTICA - Havana, Cuba.
  • PAS - PERCUSSIVE ARTS SOCIETY BRAZIL CHAPTER: CONCURSO DE COMPOSIÇÃO PARA PERCUSSÃO - 2001 (off line)
  • POLYTECH CHOIR'S COMPOSITION CONTEST (Finlândia)
  • INTERNATIONAL COMPETITION FOR CHOIR MASTERS (Itália)
    •  
    NOVO NÚCLEO DE MÚSICA BRASILEIRA
    Documentação e Referência (Fundação Padre Anchieta/ VITAE)
     
    Foi criado na Fundação Padre Anchieta de São Paulo, Centro Paulista de Radios e TV Educativas, o Núcleo de Música Brasileira - Documentação e Referência. O recém criado núcleo, com apoio da Fundação Vitae pretende ser um centro de estudos e de guarda de obras brasileiras, sobretudo, criar links com as diversas tipologias das fontes referentes às práticas da música no Brasil. Nesse sentido, podemos adiantar que contamos com acervos de vídeo e áudio, em alguns casos de obras inéditas, levantados por gravações de externas pelas rádios AM e FM e pela TV Cultura. A idéia central é exatamente estabelecer uma unidade de pesquisa, onde as diversas tipologias poderão ser úteis para a compreensão das práticas musicais no Brasil.
    Através de campanhas nesses veículos (Rede Cultura), pretendemos incentivar a doação de partituras ou materias textuais e iconográficos que auxiliem na pesquisa da música no Brasil. As campanhas serão voltadas exclusivamente para compositores e colecionadores que, por um motivo ou por outro, precisam ou necessitam se desfazer e/ou divulgar seus trabalhos. Para o caso dos compositores vivos, adiantamos que será disponível uma pequena biografia e um inventário de suas obras em página da WEB, a ser criada posteriormente. Dentro do prazo de um ano, a partir desta data, o acervo estará disponível para quaisquer interessados em pesquisar ou estudar a música brasileira.
    Prof. Dr. Maurício Monteiro
    Idealizador e Coordenador
    nmbrasileira@tvcultura.com.br
     

    CALL FOR ELECTROACOUSTIC MUSIC

  • Português
  • English
    • O programa Música Nova, iniciado e apresentado semanalmente desde Novembro de 1991 pela Rádio Universidade FM - Londrina-PR, Brasil, é dedicado a difusão da música contemporânea. Estamos planejando uma série radiofônica de Música Eletroacústica a ser veiculada em Setembro/Outubro e convidamos os compositores a enviarem suas peças. O programa Música Nova vai ao ar toda segunda-feira, as 21h00, pela Rádio Universidade FM, 107.9 MHz, emissora da Universidade Estadual de Londrina.
    As peças recebidas farão parte do acervo do NMC (Núcleo de Música Contemporânea - Universidade Estadual de Londrina) onde poderão ser consultadas internamente para fins pedagógicos e de pesquisa.

    Enviar gravacões (DAT, CD, MD ou LP), texto sobre autor e obras para:

    Janete El Haouli / Núcleo de Música Contemporânea - Universidade Estadual de Londrina
    Campus Universitário - CECA - Arte
    Cx. P. 6001 CEP: 86051-970
    Londrina - Paraná
    BRASIL
    .
    Informações:
    Janete El Haouli
    Rua Espírito Santo, 1833/31
    86 020 - 350 Londrina - Paraná - Brasil
    Tel/Fax: 00 55 43 323 3747 (home); 994 9687
    e-mail: janete@sercomtel.com.br
    URL: http://www.uel.br/Web/home/uel/ceca/dart/web/ (em construção)
    .
    The Música Nova radio programme, which has been on air weekly since November 1991, is dedicated to the diffusion of contemporary music. Musica Nova goes on air every Monday at 21:00, on the Radio Universidade FM, 107.9 MHz, which is organised by the University of Londrina, Brazil.
    This year, two series of Electroacoustic Music programmes are being planned for broadcast. We are therefore inviting composers to send us their work. The two series (consisting of two to four programmes each) are scheduled to go on air in September/October 1998. The works received will be integrated into the NMC (Núcleo de Música Contemporânea) music library at the University Arts Deparment. They will be made available for research and teaching activities.

    Send recordings (DAT,CD, MD or LP), together with programme notes and related information to:

    Janete El Haouli / Núcleo de Música Contemporânea - Universidade Estadual de Londrina
    Campus Universitário - CECA - Arte
    Cx. P. 6001 CEP: 86051-970
    Londrina - Paraná
    BRASIL
    Information: janete@sercomtel.com.br

    Thank you,

    Música Nova / Núcleo de Música Contemporânea
    Mondays, 21:00 (Brazil), Rádio Universidade FM 107.9 MHz
    URL: http://www.uel.br/Web/home/uel/ceca/dart/web/ (under construction)

    IX FESTIVAL INTERNACIONAL DE MUSICA ELECTROACUSTICA
    "PRIMAVERA EN LA HABANA 2002"
    INSTITUTO CUBANO DE LA MUSICA

    LABORATORIO NACIONAL DE MUSICA ELECTROACUSTICA

    Calle 17 esq. a I No. 260, Primer piso, Vedado, C. Habana 10400, Cuba
    Tel. (537) 30-3983 Fax: (537) 66-2286 (537) 33-3716

    Email. lnme@cubarte.cult.cu

    PAS - PERCUSSIVE ARTS SOCIETY BRAZIL CHAPTER
    CONCURSO DE COMPOSIÇÃO PARA PERCUSSÃO - 2001

    Proposta: A Percussive Arts Society do Brasil promove seu primeiro concurso anual com o intuito de fomentar a criação composicional na área da percussão, bem como visa o aprimoramento da qualidade e ampliação do repertório existente. Critérios: A composição deve ser original não editada ou comissionada. A composição deverá conter somente instrumentos de percussão, não podendo ser usados tanto piano quanto celesta. O tempo limite é de 12 minutos. A formação pode ser: peça solo, duos, trios, quartetos ou conjuntos de percussão. O número máximo de executantes deverá ser 12. Não há número limite de peças por compositor. Premiação: 1º Lugar: R$ 600,00 , publicação e performance no Dia da Percussão 2002 - PAS Brazil Chapter Inscrições: Deverá ser enviada para a PAS Brazil Chapter (endereço abaixo) uma ficha de inscrição por peça inscrita, três cópias da composição contendo apenas título da obra sem nome do autor, legível. Não enviar originais. A taxa de inscrição é de R$ 25,00 para primeira peça e R$ 10,00 para as demais. O valor deve ser depositado na conta: 16.950-1, agência: 1890-2, do Banco do Brasil; e enviada somente cópia do comprovante de depósito. Prazo das inscrições: Todo material deverá ser entregue até o dia 08 de setembro de 2001. A premiação ocorrerá durante o evento Dia da Percussão 2001 - PAS Brazil Chapter , no dia 30 de setembro no Centro de Convenções da UNICAMP. Para maiores informações e detalhes contatar Fernando Hashimoto Presidente da PAS Brazil Chapter, Humberto Erbolato, 31 - Campinas/SP - 13089-130, f:(19) 3258-7636, e-mail: ferhashimoto@uol.com.br. Concurso de Composição para Percussão 2001 - Percussive Arts Society Brazil Chapter

    Nome da composição_____________________________________________________________
    Nome do compositor______________________________________________________________ Endereço____________________________________________________________________ Cidade_____________________________Estado______________________CEP__________ Telefone_______________________________E-mail_______________________________

    Eu certifico que a composição acima mencionada é > original, não publicada ou comissionada

    Assinatura do compositor__________________________________________________________

    FERNANDO HASHIMOTO Professor de Percussão e Rítmica do Departamento de Música/UNICAMP, Orquestra Sinfônica Municipal de Campinas, PAS Brazil Chapter President

    POLYTECH CHOIR'S COMPOSITION CONTEST (Finlândia)

    Further information on the contest: The Polytech Choir 100th anniversary composition contest Polytech Choir Patrons' Association Contest Office / Mikko Kontiainen Post Box 69, Otakaari 12 FIN-02151 ESPOO FINLAND Tel: +358 40 5511001 http://pk.tky.hut.fi/contest

    INTERNATIONAL COMPETITION FOR CHOIR MASTERS (Itália)

    The Fondazione Mariele Ventre announces an International Competition for Choir Masters, unique in its kind in our country. All details about the competition (regulations, application form, prizes, etc.) can be found at the following website: www.concorso.marieleventre.it.

    VIII BRAZILIAN SYMPOSIUM ON COMPUTER MUSIC

    Informations/Informações: http://www.cin.ufpe.br/~sbcm2001/
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